Story of manic schoolgirls who are more interested in racing form than books as they try to get-rich-quick, aided by the head-mistress’ brother, played by Alastair Sim, who also plays the head-mistress.

Jack is a charismatic larrikin who has just discovered the one thing he’s really good at — go-kart racing. With the support of his mentor, Patrick, an old race car driver with a secret past, and his best mates Colin and Mandy, Jack must learn to control his recklessness if he is to defeat the best drivers in Australia, including the ruthless champion Dean, and win the National title.

Barney, Christmas and the rest of the team comes face-to-face with Conrad Stonebanks, who years ago co-founded The Expendables with Barney. Stonebanks subsequently became a ruthless arms trader and someone who Barney was forced to kill… or so he thought. Stonebanks, who eluded death once before, now is making it his mission to end The Expendables — but Barney has other plans. Barney decides that he has to fight old blood with new blood, and brings in a new era of Expendables team members, recruiting individuals who are younger, faster and more tech-savvy. The latest mission becomes a clash of classic old-school style versus high-tech expertise in the Expendables’ most personal battle yet.

A female British agent Aureille is sent to Ireland to investigate the robbery of Bearer Bonds by Rory Baker. Betrayed and set up by a Priest, the agent goes Rogue in Malta, dodging the Baker’s ruthless hit men and worse, her own boss Miranda.

Nick Pearson is a life-long bachelor who is finally settling down. On the brink of his wedding he is surprised to find he has a 13 year old son who has come to find his him through the help of a psychic. The problem is Nick can’t stand kids and would happily send the boy back to live with his biological mother, except that no one has any clue who that might be. Having nowhere to turn Nick must hit the road with the boy and the neurotic, inept psychic to track down dozens of his disgraced ex-flings to whom he must ask the awkward question – with very mixed results.

A lifelong city boy finds that life in the country isn’t nearly as horrible as he suspected it would be after being sent to live with his elderly grandfather and befriending a loyal dog named Sheeba.

Under a powerful Mayan curse, snakes are hatched inside a young woman, slowly devouring her from within. Her only chance for survival is a powerful shaman who lives across the border. With only hours to live, she jumps on a train headed for Los Angeles. Unfortunately for the passengers aboard, they are now trapped, soon to be victims of these flesh-eating vipers.

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Beowulf is a wanderer who learns about a man-eating creature called Grendel which comes in the night to devour warriors trapped at the Outpost. The Outpost is ruled by Hrothgar. He has a daughter, whose husband may have been murdered by the Outpost’s master of arms

Dangerous Men has many characters like Mina whose life is shattered when two bikers with rape on their minds attack and kill Daniel, her fiancé. Driven by grief, she embarks on a killing rampage, wreaking vengeance upon all the men that she seductively lures into her trap. In her twisted world, cops and killers are all the same – David, Daniel’s brother, is a cop who relentlessly pursues the killers, while facing a nest of drug dealers, followed by the FBI and the police SWAT team, also in hot pursuit. Mina, a victim of violence, carrying a twisted obsession for justice, is caught between opposing forces in a world of dangerous men

Australian authorities arrest a man believed to be connected to the Sydney criminal underworld and send for Inspector Fang Sing Leng (Jimmy Wang Yu) from Hong Kong to question him. After the alleged criminal is assassinated, Inspector Leng and the Sydney police try to hunt down those responsible and hope to solve their case along the way.

Once a vibrant part of American culture, drive-ins reached their peak in the late 1950s with almost 5,000 dotting the nation. Although drive-ins are experiencing a resurgence, today less than 400 remain. In a nation that loves cars and movies, why haven’t they survived? April Wright’s lovingly made documentary–filled with archival images of hundreds of open and closed drive-in theaters and interviews with theater owners and cinema luminaries such as Roger Corman–attempts to answer that question.