The Greenhouse is a magic-realist drama that centres on the eldest child of two women, Beth, who discovers a portal into the past on their family property. On the cusp of her widowed mother Ruth’s sixtieth birthday and the return of her dysfunctional siblings Drew, Doonie and Raf, Beth is swept away by visions of their idyllic childhood and re-lives the moments that defined her adolescence. Despite Ruth’s warnings, and as real-world tensions grow between the siblings, Beth becomes dependant on the greenhouse, soon realising it isn’t the paradise she believed it to be.

20 men are chosen to participate in the roles of guards and prisoners in a psychological study that ultimately spirals out of control.

One man’s courage and will to break loose from the system, and the ability of one individual to bring down the kingdom.

Breathless, daring, and undone in a million pieces. Describing both the film’s style and main character, 1/1 submerges the audience into the mind of Lissa, a twenty-year-old girl trapped in rural Pennsylvania, who grapples with sex, drugs, love and loss. When a possible pregnancy forces Lissa to take a hard look at her life, both her and the structure of the film mature, illuminating a brighter path ahead.

Dead bodies begin to turn up all over the city, each meeting their demise in a variety of grisly ways. All investigations begin to point the finger at deceased killer John Kramer.

When an innocent young girl finds herself befriended by two sexy, uninhibited girls at a small-town bar, she discovers that they have more planned than just a party-and she’s central to the action.

Dolores Claiborne was accused of killing her abusive husband twenty years ago, but the court’s findings were inconclusive and she was allowed to walk free. Now she has been accused of killing her employer, Vera Donovan, and this time there is a witness who can place her at the scene of the crime. Things look bad for Dolores when her daughter Selena, a successful Manhattan magazine writer, returns to cover the story.

At the turn of the century in a Welsh mining village, the Morgans (he stern, she gentle) raise coal-mining sons and hope their youngest will find a better life. Lots of atmosphere, very sentimental view of pre-union miners’ lives. The film is based on the 1939 Richard Llewellyn novel of the same name.

Set in a dirt-poor neighborhood in the fictional city of San Lovisa, Texas, EvenHand tells the story of two very different cops, working together for the first time. Rob Francis, recently divorced, finds the adjustment from his previous assignment in “Sleepytown” difficult. With his new partner, the volatile Ted Morning, he spends his days breaking up domestic disputes and attempting to make sense of a parade of lowlifes, firebugs and junkies. Morning is the original Texas cowboy, all muscle and bravado: arrest ’em first, ask questions later. The characters and events in EvenHand subtly intertwine until Francis and Morning must both face the consequences of their very different approaches to the job. Filmed on location in San Antonio, Texas, EvenHand is a police story, but it’s not about car chases or shoot-outs. It’s about two cops struggling to survive in a world where, without warning, numbing routine can give way to primal fear.

Seven strangers find themselves trapped inside an abandoned hospital after an unexplainable apocalyptic event. In addition to being haunted by what they’ve lost, the strangers must also fight off mysterious creatures that hunt them down one by one.

Dharma is stuck in a rut with his negative and lonely lifestyle and spends each day in the comfort of his loneliness. A pup named Charlie who is naughty and energetic which is a complete contrast with the Dharma’s character enters his life and gives him a new perspective towards it.

A couple’s caustic, increasingly jarring interactions over a Mumbai evening strain their relationship until it threatens to break at its fraying seams.