After two years hiding out in his Grandfather’s retirement residence, Stock Burton is forced back into his small town where he must come to terms with the troubled past that led to his early retirement.
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A former assassin tries to redeem himself by becoming a masked highwayman in Colonial America.
The story of a young, gay black con artist who, posing as the son of Sidney Poitier, cunningly maneuvers his way into the lives of a white, upper-class New York family.
Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.
A writer from New York moves to Los Angeles with his fiancé to adapt a children’s book for a Hollywood producer. A series of meetings begin between the author of the book, the director, and other actors, each having their own take on the direction of the script. The writer and his financier are constantly fighting as the work becomes more and more tiring and gruesome. Fearing medication has made him mediocre, the writer is faced with a choice between having a happy life and being a successful writer in Hollywood.
In a contemporary adaptation of the Jane Austen classic, “Pride and Prejudice: Atlanta” follows Reverend Bennet (Reginald VelJohnson, “Family Matters”), a pastor of a prominent southern Baptist church and his wife Mrs. Bennet (Jackée Harry, “Sister, Sister”), who is the author of a self-help book on how to find the perfect husband. Needless to say, Mrs. Bennet is less than thrilled that all five of their daughters, Lizzie (Tiffany Hines, “Toni Braxton: Unbreak My Heart”), Jane (Raney Branch, “Being Mary Jane”), Mary (Brittney Level, “The Purge”), Lydia (Reginae Carter, “Growing Up Hip Hop: Atlanta”) and Kitty (“Alexia Bailey”), are still single. When the very eligible Will Darcy (Juan Antonio, “Empire”) arrives in town, Mrs. Bennet sets her sights on the handsome bachelor for daughter Lizzie, leading to a modern-day, comedic take on themes familiar to fans of the novel.
An American oil company sends a man to Scotland to buy up an entire village where they want to build a refinery. But things don’t go as expected.
After a car crash sends repressed cartoonist Stu Miley (Fraser) into a coma, he and the mischievous Monkeybone, his hilariously horny alter-ego, wake up in a wacked-out waystation for lost souls. When Monkeybone takes over Stu’s body and escapes to wreak havoc on the real world, Stu has to find a way to stop him before his sister pulls the plug on reality forever!
Four 22 year-olds on a Mexican road trip seem bound for disaster until they, and their trip, are unexpectedly redeemed by a series of miraculous events.
The year is 1879. Gunfighters from the far reaches of the globe descend on Religion, AZ to compete in a legendary poker tournament. Drawn by the gold prize, the players come to realize that in this game, their very souls are at stake.
A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy
A romantic coming of age comedy following musician Nate and the effect his two sisters have on his life as they share a home together in Manchester
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