A man and a woman, secretly in love, alone in a room. They desire each other, want each other, and even bite each other. In the afterglow, they share a few sweet nothings. At least the man seemed to believe they were nothing. Now under investigation by the police and the courts, what is he accused of?
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Biff Grimes is desperately in love with Virginia, but his best friend Hugo marries her and manipulates Biff into becoming involved in his somewhat nefarious businesses. Hugo appears to have stolen Biff’s dreams, and Biff has to deal with the realisation that having what he wants and wanting what another has can be very different things.
Through flashbacks, Full English Breakfast follows the violent career of Dave Bishop (Dave Courtney) a small-time London villain who kills his way to the top of Britain’s drugs empire. Now happily ‘retired’ on the Kent coast Dave becomes embroiled in a bloody battle of wits with Al Qaeda terrorists who want to take over his criminal empire. Adding to the old mobster’s woes is his younger trophy wife (Lucy Drive) wanting to play away with his new driver (Jamie Bannerman).
Trisha has obsessed over her wedding since childhood, but now she’s stuck between the man she wants, the man who wants her, and the man she chose.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
On Halloween night in New Salem, Radio DJs Chilly Billy (Corey Taylor) and Paul (Zach Galligan) tell a twisted anthology of terrifying local myths. Residents of the small-town experience horrifying paranormal encounters that lead them to a grim end.
Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.
The protagonist is a young woman, Joan Prats suffering from agnosia, a strange, primary visual disease that is one of the neuropsychological disorders of perception. Although her eyes and ears are in perfect condition, her brain is not able to correctly interpret the stimuli it receives. Joan is the only person to know an industrial secret left behind by her late father and becomes the victim of a sinister plan to extract this information. Her captors plan to use her sensory condition to help extract the information that they so desperately want.
A dark and atmospheric story of female friendship tested by deceit, betrayal and a terrifying past. Susan, outwardly confident and Becky, more fragile and shy, both in their late twenties, are inseparable friends. But both women have secrets they have not shared, some recent, some long past and deeply buried. When, on a weekend trip to Dartmoor, they encounter the charismatic Chris, they are led into a web of mind games, sexual deceit and betrayal. As Becky’s traumatic involvement in Chris’ own damaged past is revealed, a psychological journey swiftly becomes a fight for survival.
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