A love story set in Manhattan, where a florist who abides by a strict five-date-limit with any man finds herself wanting more with the new restaurateur in town.
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A mysterious oriental skull transforms a father into his son, and vice versa.
On the verge of a nervous breakdown, Maxwell meets a talking sloth in his dreams and becomes obsessed with saving the animal’s habitat in his waking life by returning to his first passion of music.
It’s a dreary Christmas 1944 for the American POWs in Stalag 17. For the men in Barracks 4, all sergeants, have to deal with a grave problem – there seems to be a security leak. The Germans always seem to be forewarned about escapes and in the most recent attempt the two men, Manfredi and Johnson, walked straight into a trap and were killed. For some in Barracks 4, especially the loud-mouthed Duke, the leaker is obvious: J.J. Sefton, a wheeler-dealer who doesn’t hesitate to trade with the guards and who has acquired goods and privileges that no other prisoner seems to have. Sefton denies giving the Germans any information and makes it quite clear that he has no intention of ever trying to escape. He plans to ride out the war in what little comfort he can arrange, but it doesn’t extend to spying for the Germans.
While traveling for work in a city far from their homes, a novelist and a corporate accountant find themselves in bed together. Although she’s married, and he’s seeing someone, their intense attraction turns a one-night stand into an unexpected relationship and a respite from the obligations of daily life. Through a series of moments – some profound, some silly, some intensely intimate – we see a portrait of an evolving relationship that could become the most significant one of their lives.
As a young child Luther The Geek or “The Freak” witnesses a band of men goading a geek (a man who bites off chicken’s heads and drinks the blood) into performing. In the ensuing hullabaloo, Luther bites his lip and likes the taste of blood. Flash forward some thirty years and a parole board is meeting to discuss Luther’s release. It seems the cheeky blighter has been murdering folk in the meantime. A dopey parole board trainee sides with the liberals and so Luther is unleashed, except now he has a special pair of customized metal teeth. Luther then proceeds to “bite the heads off” of many hapless folk until the tense ending. This movie is most notable for it’s bare dialog, whole stretches pass without a sound. Most of the audio is composed of Luther clucking insanely like a chicken.
Eternally cursed and mummified by the pharaoh for pursuing the love of his daughter, Hat-Em-Akhet, Hor-Shep-Sut lies in quiet slumber waiting for the day she will be reawakened. When Hor-Shep-Sut’s sarcophagus is found by Dr. Wallis Harwa and opened by Professor Carter Moore, the professor’s fiancée, Ana, immediately faints at the sight of the horrific, but somehow oddly familiar mummified remains. As Hor-Shep-Sut awakens from her centuries-old slumber to pursue her long lost love, viewers can rest assured that she will certainly have her fair share of erotic encounters before meeting her ultimate fate.
A lonely TV weatherman strikes up an unusual friendship with a middle-aged Latino migrant worker.
A kidnapped mobster (Vittorio De Sica) persuades his captors to help him rob platinum ingots from a train.
A love for a cousin, deeply engraved in childhood. Twelve years later, a stopped heart begins to beat again.
An impoverished leader of a small religious commune in Miami, is offered cash to save his family from eviction. He has no idea his sponsor works for an FBI agent, who plans to turn him into a criminal by fueling his madcap revolutionary dreams.
Chaos reigns at the natural history museum when night watchman Larry Daley accidentally stirs up an ancient curse, awakening Attila the Hun, an army of gladiators, a Tyrannosaurus rex and other exhibits. Larry tries desperately to keep the museum under control, but he’s fighting a losing battle until President Teddy Roosevelt comes to the rescue.
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