Harry starts his fourth year at Hogwarts, competes in the treacherous Triwizard Tournament and faces the evil Lord Voldemort. Ron and Hermione help Harry manage the pressure – but Voldemort lurks, awaiting his chance to destroy Harry and all that he stands for.
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Feature length sequel to the multi award-winning short film GROOM’S CAKE. A mockumentary following the three days leading up to the first birthday party of a child with two gay parents: television actor Steven James and his screenwriter husband, Daniel Ferguson. A movie about the family we are born into and the family we create.
Mary Marshall, serving a six year term for accidental manslaughter, is given a Christmas furlough from prison to visit her closest relatives, her uncle and his family in a small Midwestern town. On the train she meets Zach Morgan, a troubled army sergeant on leave for the holidays from a military hospital. Although his physical wounds have healed, he is suffering from post-traumatic stress disorder and is subject to panic attacks. The pair are attracted to one another and in the warm atmosphere of the Christmas season friendship blossoms into romance, but Mary is reluctant to tell him of her past and that she must shortly return to prison to serve the remainder of her sentence.
In this touching Christmas classic a young orphaned drummer boy is kidnapped. After he escapes he searches for his camel and finds him in the Nativity of the Baby Jesus. He gives Baby Jesus the only gift he has a song on his drum. This song is the only gift Baby Jesus responds to.
A Blanc-Biehn production centered around the idea of a governmentally designed drug created to help correct or strategically alter perceptions gathered during times of trauma or stress. Slated as being a substance that may help solve issues with everything from racial tensions, PTSD and geopolitic battles, first a focused study is needed to see how people respond to treatment and what dosages might be needed. Four couples are chosen to test this drug, and soon find their memories and sanity challenged.
Agent 007 is back in the second installment of the James Bond series, this time battling a secret crime organization known as SPECTRE. Russians Rosa Klebb and Kronsteen are out to snatch a decoding device known as the Lektor, using the ravishing Tatiana to lure Bond into helping them. Bond willingly travels to meet Tatiana in Istanbul, where he must rely on his wits to escape with his life in a series of deadly encounters with the enemy
Upon moving into the run-down Spiderwick Estate with their mother, twin brothers Jared and Simon Grace, along with their sister Mallory, find themselves pulled into an alternate world full of faeries and other creatures.
Jed Clampett and kin move from Arkansas to Beverly Hills when he becomes a billionaire, after an oil strike. The country folk are very naive with regard to life in the big city, so when Jed starts a search for a new wife there are inevitably plenty of takers and con artists ready to make a fast buck
One night, 18 year old Lena is bitten by Louise, leader of a female vampire trio that are as deadly as they are beautiful. Her newfound vampiric lifestyle is a blessing and a curse at the same time. At first, she enjoys the limitless freedom, the luxury, the parties. But soon the murderous blood lust of her comrades in arms proves too much for her, and she falls dangerously in love with Tom, a young undercover cop. When she resolves to turn her back on the bloodsucking band of sisters, Louise fury knows no bounds. Lena will have to choose between immortal love and immortal life.
In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership. Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film’s opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O’Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached manner leads to one mistake after another.