The first of three TV-versions of the classic fairy tale that featured a Rodgers and Hammerstein score and was performed in front of a live audience.

Charlie’s got a ‘job’ to do. Having just left prison he finds one his of friends has attempted a high risk job in Torino, Italy, right under the nose of the mafia. Charlie’s friend doesn’t get very far, so Charlie takes over the ‘job’. Using three Mini Coopers, a couple of Jaguars and a bus, he hopes to bring Torino to a standstill, steal a fortune in gold and escape in the chaos.

After the closure of their shipyard in Northern Spain, a few former workers: Santa, José, Lino, Amador, Sergei and Reina keep in touch. They meet mainly at a bar owned by their former colleague Rico. Santa is the most superficially confident and the unofficial leader of the group. A court case hangs over him relating to a shipyard lamp he smashed during protest against the closure. José is bitter that his wife, Ana, is employed when he is not. The gap between them is widening and he is fearful that she will leave him for a co-worker. Despite arthritic legs, Ana endures night shifts at a fish factory and thinks her looks are now lost. Not everyone seems to agree including her boss. Lino, an aging family man doggedly pursuing positions beyond his qualifications. The oldest member of the group, Amador, has degenerated into alcoholism after being abandoned by his wife; maintaining an increasingly transparent pretense that his wife will soon return from holiday.

A hooker, a bank robber and an innocent young woman clash over love and loot from a robbery.

Nick and Meg Burrows return to Paris, the city where they honeymooned, to celebrate their 30th wedding anniversary and rediscover some romance in their long-lived marriage. The film follows the couple as long-established tensions in their marriage break out in humorous and often painful ways.

Through a case of mistaken identity, a young executive falls for a man who doesn’t fit the life plan she’s followed since childhood.

Road movie about two young people from different parts of the world, their vastly different clashing cultures and their journey of self-discovery during the drive to the largest music festival in California.

When Joy Pride, a groovy 70s burn-out on the caboose of the flower power movement learns she has weeks to live, her estranged children come together to do right by a mother who always did them wrong. It’s based on the premise that no matter who dies, we always find a way to make it all about us.

Emily decides to air the skeletons in her closet and brave the scrutiny of a catty dinner party to win back her name.

Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called “Pleasantville,” and find a world where everything is peachy keen all the time. But when Jennifer’s modern attitude disrupts Pleasantville’s peaceful but boring routine, she literally brings color into its life.

Manhattanite Ashley is known to many as the luckiest woman around. After a chance encounter with a down-and-out young man, however, she realizes that she’s swapped her fortune for his.

Stevie is a sweet 13-year-old about to explode. His mom is loving and attentive, but a little too forthcoming about her romantic life. His big brother is a taciturn and violent bully. So Stevie searches his working-class Los Angeles suburb for somewhere to belong. He finds it at the Motor Avenue skate shop.